Estefanía Cano
Estefanía Cano
Research Scientist
Verified email at audiosourcere.com
Title
Cited by
Cited by
Year
Music information retrieval meets music education
C Dittmar, E Cano, J Abeßer, S Grollmisch
Dagstuhl Follow-Ups 3, 2012
582012
Musical source separation: An introduction
E Cano, D FitzGerald, A Liutkus, MD Plumbley, FR Stöter
IEEE Signal Processing Magazine 36 (1), 31-40, 2018
422018
Evaluation of quality of sound source separation algorithms: Human perception vs quantitative metrics
E Cano, D FitzGerald, K Brandenburg
2016 24th European Signal Processing Conference (EUSIPCO), 1758-1762, 2016
372016
New sonorities for jazz recordings: Separation and mixing using deep neural networks
SI Mimilakis, E Cano, J Abeßer, G Schuller
2nd AES Workshop on Intelligent Music Production 13, 2016
302016
Pitch-informed solo and accompaniment separation towards its use in music education applications
E Cano, G Schuller, C Dittmar
EURASIP Journal on Advances in Signal Processing 2014 (1), 1-19, 2014
232014
Jazz Solo Instrument Classification with Convolutional Neural Networks, Source Separation, and Transfer Learning.
JS Gómez, J Abeßer, E Cano
ISMIR, 577-584, 2018
212018
New Sonorities for Early Jazz Recordings Using Sound Source Separation and Automatic Mixing Tools.
D Matz, E Cano, J Abeßer
ISMIR, 749-755, 2015
162015
Phase-based harmonic/percussive separation
E Cano, M Plumbley, C Dittmar
162014
Score-informed analysis of tuning, intonation, pitch modulation, and dynamics in jazz solos
J Abeßer, K Frieler, E Cano, M Pfleiderer, WG Zaddach
IEEE/ACM Transactions on Audio, Speech, and Language Processing 25 (1), 168-177, 2016
152016
Melody line detection and source separation in classical saxophone recordings
E Cano, C Cheng
12th International Conference on Digital Audio Effects (1-4 September DAFx …, 2009
152009
Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos.
J Abeßer, E Cano, K Frieler, M Pfleiderer, WG Zaddach
ISMIR, 823-829, 2015
132015
Re-thinking sound separation: Prior information and additivity constraints in separation algorithms
E Cano, C Dittmar, G Schuller
16th International Conference on Digital Audio Effects (DAFx-13), 1-7, 2013
112013
Songs2See: Learn to play by playing
S Grollmisch, E Cano Cerón, C Dittmar
Audio Engineering Society Conference: 41st International Conference: Audio …, 2011
102011
Songs2See: learn to play by playing
E Cano, C Dittmar, S Grollmisch
12th International Society for Music Information Retrieval Conference (ISMIR …, 2011
102011
Examining the mapping functions of denoising autoencoders in singing voice separation
SI Mimilakis, K Drossos, E Cano, G Schuller
IEEE/ACM Transactions on Audio, Speech, and Language Processing 28, 266-278, 2019
92019
Plausible augmentation of auditory scenes using dynamic binaural synthesis for personalized auditory realities
K Brandenburg, E Cano, F Klein, T Köllmer, H Lukashevich, A Neidhardt, ...
Audio Engineering Society Conference: 2018 AES International Conference on …, 2018
92018
Dynamics in jazz improvisation. Score-informed estimation and contextual analysis of tone intensities in trumpet and saxophone solos
J Abeßer, E Cano, K Frieler, M Pfleiderer
Proceedings of the 8th Conference on Interdisciplinary Musicology (CIM14 …, 2014
92014
Joyful for you and tender for us: the influence of individual characteristics and language on emotion labeling and classification
JS Gómez Cañón, E Cano, H Boyer, E Gómez Gutiérrez
Cumming J, Ha Lee J, McFee B, Schedl M, Devaney J, McKay C, Zagerle E, de …, 2020
82020
Exploring sound source separation for acoustic condition monitoring in industrial scenarios
E Cano, J Nowak, S Grollmisch
2017 25th European Signal Processing Conference (EUSIPCO), 2264-2268, 2017
82017
The dimensions of perceptual quality of sound source separation
E Cano, J Liebetrau, D Fitzgerald, K Brandenburg
2018 IEEE International Conference on Acoustics, Speech and Signal …, 2018
72018
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Articles 1–20