Schenkerian analysis by computer: A proof of concept A Marsden Journal of New Music Research 39 (3), 269-289, 2010 | 90 | 2010 |
Generative structural representation of tonal music A Marsden Journal of New Music Research 34 (4), 409-428, 2005 | 63 | 2005 |
Computer representations and models in music A Marsden, A Pople (No Title), 1992 | 49 | 1992 |
Representing musical time: a temporal-logic approach A Marsden Swets & Zeitlinger Publ., 2000 | 47 | 2000 |
‘What was the question?’: Music Analysis and the Computer A Marsden Modern Methods for Musicology, 137-148, 2016 | 34 | 2016 |
Analysing symbolic music with probabilistic grammars S Abdallah, N Gold, A Marsden Computational music analysis, 157-189, 2015 | 34 | 2015 |
Interrogating melodic similarity: a definitive phenomenon or the product of interpretation? A Marsden Journal of New Music Research 41 (4), 323-335, 2012 | 34 | 2012 |
Modelling the perception of musical voices: a case study in rule-based systems A Marsden Computer representations and models in music, 239-263, 1992 | 34 | 1992 |
Representing melodic patterns as networks of elaborations A Marsden Computers and the Humanities 35 (1), 37-54, 2001 | 32 | 2001 |
Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis. A Marsden ISMIR, 55-58, 2007 | 28 | 2007 |
Tools for searching, annotation and analysis of speech, music, film and video—a survey A Marsden, A Mackenzie, A Lindsay, H Nock, J Coleman, G Kochanski Literary and linguistic computing 22 (4), 469-488, 2007 | 24 | 2007 |
Music, intelligence and artificiality A Marsden Readings in music and artificial intelligence, 15-28, 2013 | 20 | 2013 |
Towards computable procedures for deriving tree structures in music: Context dependency in GTTM and Schenkerian theory K Hirata, A Marsden, S Tojo Future University Hakodate, 2013 | 19 | 2013 |
Improving omr for digital music libraries with multiple recognisers and multiple sources V Padilla, A Marsden, A McLean, K Ng Proceedings of the 1st International Workshop on Digital Libraries for …, 2014 | 17 | 2014 |
Modelling musical cognition as a community of experts A Marsden, A Pople Contemporary Music Review 3 (1), 29-42, 1989 | 17 | 1989 |
Recognition of Variations Using Automatic Schenkerian Reduction. A Marsden ISMIR, 501-506, 2010 | 16 | 2010 |
Listening as discovery learning AA Marsden Contemporary Music Review 4 (1), 327-340, 1989 | 16 | 1989 |
A study of cognitive demands in listening to Mozart's quintet for piano and wind instruments, k. 452 AA Marsden Psychology of Music 15 (1), 30-57, 1987 | 16 | 1987 |
Towards a connected distributed model of musical listening A Marsden, A Pople Journal of New Music Research 18 (1-2), 61-72, 1989 | 14 | 1989 |
Music analysis by computer: ontology and epistemology A Marsden Computational Music Analysis, 3-28, 2015 | 13 | 2015 |