| We want the funk: What is Afrofuturism to the situation of digital arts in Africa? T Bristow Technoetic Arts 10 (1), 25-32, 2012 | 22 | 2012 |
| Post African futures: Positioning the globalized digital within contemporary African cultural and decolonizing practices T Bristow Critical African Studies 9 (3), 281-301, 2017 | 15 | 2017 |
| Cultures of technology: Digital technology and new aesthetics in African digital art T Bristow Critical Interventions 8 (3), 331-341, 2014 | 6 | 2014 |
| From Afro-Futurism to Post African Futures T Bristow Technoetic Arts 12 (2-3), 167-173, 2014 | 5 | 2014 |
| Technology arts education in South Africa: Mutant collaborations C Doherty, T Bristow Technoetic Arts 12 (2-3), 237-249, 2014 | 3 | 2014 |
| A School for Vernacular Algorithms: Knowledge Transfer as a System and Aesthetic Algorithmic Encounter T Bristow diid—disegno industriale industrial design, 10-10, 2022 | 2 | 2022 |
| With objects that speak: the force of interaction in historical African artefacts and contemporary art T Bristow International Journal of Arts and Technology 10 (2), 150-160, 2017 | 2 | 2017 |
| Public Art/Private Lives: The Making of Hotel Yeoville T Bristow, T Kurgan, A Opper The International Handbooks of Museum Studies, 439-469, 2013 | 2 | 2013 |
| ‘Half Tiger’: an interrogation of digital and mobile street culture and aesthetic practice in Johannesburg and Nairobi T Bristow Technoetic Arts: A Journal of Speculative Research 11 (3), 221-230, 2013 | 1 | 2013 |
| POST AFRICAN FUTURES: Decoloniality and Actional Methodologies in Art and Cultural Practices in African Cultures of Technology TM Bristow University of Plymouth, 2018 | | 2018 |
| Playing with Systems for Change IJ Bardakos, T Bristow, C Speed, C Westermann | | |
Alexander OpperUniversity of JohannesburgVerified email at uj.ac.za
